{"id":2649,"date":"2024-08-27T09:49:17","date_gmt":"2024-08-27T07:49:17","guid":{"rendered":"https:\/\/galerieduponchel.com\/?page_id=2649"},"modified":"2026-01-16T10:44:52","modified_gmt":"2026-01-16T09:44:52","slug":"giovanni-francesco-caroto","status":"publish","type":"page","link":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/","title":{"rendered":"Giovanni Francesco Caroto"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull eplus-wrapper has-foreground-color has-text-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-767b465b wp-block-group-is-layout-constrained\" style=\"background-color:#fefcf8;padding-top:20px;padding-right:var(--wp--preset--spacing--30);padding-bottom:20px;padding-left:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-b2e659ba wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p class=\"retour-link has-small-font-size wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--50)\">\n    <a href=\"https:\/\/galerieduponchel.com\/nos-oeuvres\/\" class=\"retour-link\" data-type=\"page\" data-id=\"124\">&lt; RETOUR<\/a>\n<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div class=\"custom-gallery\">\n  <div class=\"main-image-container\">\n    <img decoding=\"async\" id=\"mainImage\" src=\"\" alt=\"Image principale\">\n    <button class=\"arrow left\" onclick=\"prevImage()\">&#10094;<\/button>\n    <button class=\"arrow right\" onclick=\"nextImage()\">&#10095;<\/button>\n  <\/div>\n  <div class=\"thumbnails\">\n    <img decoding=\"async\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/07\/Giovani-Francesco-Caroto-St-Jerome_resultat.webp\" \ndata-full=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2023\/12\/St-Jerome-HD.jpeg\"\nalt=\"Giovanni Francesco Caroto\"\n>\n    <img decoding=\"async\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/07\/Caroto-encadre_resultat.webp\"\ndata-full=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-encadre.png\"\nalt=\"Giovanni Francesco Caroto 2\"\n>\n    <img decoding=\"async\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/07\/Caroto-salon_resultat.webp\"\ndata-full=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-salon.jpg\"\nalt=\"Giovanni Francesco Caroto 3\"\n>\n    <img decoding=\"async\" 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document.getElementById('lightbox');\n  if (lightbox.style.display === 'flex') {  \/\/ si la lightbox est ouverte\n    if (event.key === \"ArrowLeft\") {\n      prevImage(true);\n    } else if (event.key === \"ArrowRight\") {\n      nextImage(true);\n    } else if (event.key === \"Escape\" || event.key === \"Esc\") {\n      lightbox.style.display = 'none';\n    }\n  }\n});\n\n\/\/ Emp\u00eache la fermeture de la lightbox quand on clique dans le contenu\ndocument.querySelector('.lightbox-content').addEventListener('click', function(event) {\n  event.stopPropagation();\n});\n\n\n  \/\/ Chargement initial sans transition\n  setImage(0, true);\n(() => {\n  const lightbox = document.getElementById('lightbox');\n  const lightboxImage = document.getElementById('lightboxImage');\n  const zoomOutBtn = document.getElementById('zoomOutBtn');\n  const zoomInBtn = document.getElementById('zoomInBtn');\n  const zoomSlider = document.getElementById('zoomSlider');\n\n  let zoomLevel = 1;\n  let 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d\u00e9placement\nlet isDragging = false;\nlet startX, startY;\nlet currentTranslateX = 0;\nlet currentTranslateY = 0;\n\n\/\/ \u00c9l\u00e9ment image zoom\u00e9e\nconst zoomedImg = document.getElementById('lightboxImage');\n\n\/\/ Fonction pour commencer le drag\nzoomedImg.addEventListener('mousedown', (e) => {\n  e.preventDefault();\n  isDragging = true;\n  startX = e.clientX;\n  startY = e.clientY;\n  \/\/ On r\u00e9cup\u00e8re la translation actuelle (ou 0 si pas encore)\n  const style = window.getComputedStyle(zoomedImg);\n  const matrix = new WebKitCSSMatrix(style.transform);\n  currentTranslateX = matrix.m41;\n  currentTranslateY = matrix.m42;\n  \/\/ Changer le curseur pour indiquer le drag\n  zoomedImg.style.cursor = 'grabbing';\n});\n\n\/\/ Fonction pour bouger l\u2019image pendant le drag\nwindow.addEventListener('mousemove', (e) => {\n  if (!isDragging) return;\n  e.preventDefault();\n  const dx = e.clientX - startX;\n  const dy = e.clientY - startY;\n  \/\/ Appliquer la translation\n  zoomedImg.style.transform = `scale(${currentScale}) translate(${currentTranslateX + dx}px, ${currentTranslateY + dy}px)`;\n});\n\n\/\/ Fonction pour arr\u00eater le drag\nwindow.addEventListener('mouseup', (e) => {\n  if (!isDragging) return;\n  isDragging = false;\n  e.preventDefault();\n  \/\/ Met \u00e0 jour la position courante pour la prochaine fois\n  const style = window.getComputedStyle(zoomedImg);\n  const matrix = new WebKitCSSMatrix(style.transform);\n  currentTranslateX = matrix.m41;\n  currentTranslateY = matrix.m42;\n  \/\/ Remet le curseur normal\n  zoomedImg.style.cursor = 'grab';\n});\n\ndocument.addEventListener('DOMContentLoaded', () => {\n  if (window.innerWidth > 768) return; \/\/ On n\u2019applique que sur mobile\n\n  const img = document.getElementById('lightboxImage');\n\n  let scale = 1;\n  let lastScale = 1;\n  let startX = 0;\n  let startY = 0;\n  let translateX = 0;\n  let translateY = 0;\n  let lastTranslateX = 0;\n  let lastTranslateY = 0;\n 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0;\n  lastScale = 1;\n  lastTranslateX = 0;\n  lastTranslateY = 0;\n  \n  applyTransform();\n}\n\n  \/\/ \u00c9coute les changements de taille ou orientation\n  window.addEventListener('resize', onResizeOrOrientationChange);\n  window.addEventListener('orientationchange', onResizeOrOrientationChange);\n\n  \/\/ Reset transform au d\u00e9part\n  img.style.transform = 'none';\n\n  \/\/ Touch events inchang\u00e9s\n  img.addEventListener('touchstart', (e) => {\n    if (e.touches.length === 2) {\n      e.preventDefault();\n      const dx = e.touches[0].clientX - e.touches[1].clientX;\n      const dy = e.touches[0].clientY - e.touches[1].clientY;\n      initialDistance = Math.sqrt(dx * dx + dy * dy);\n    } else if (e.touches.length === 1) {\n      const currentTime = Date.now();\n      if (currentTime - lastTapTime < doubleTapDelay) {\n        \/\/ Double tap => reset zoom\n        scale = 1;\n        translateX = 0;\n        translateY = 0;\n        lastTranslateX = 0;\n        lastTranslateY = 0;\n        applyTransform();\n        e.preventDefault();\n      }\n      lastTapTime = currentTime;\n\n      if (scale > 1) {\n        isTouchDragging = true;\n        startX = e.touches[0].clientX - translateX;\n        startY = e.touches[0].clientY - translateY;\n      }\n    }\n  }, { passive: false });\n\n  img.addEventListener('touchmove', (e) => {\nif (e.touches.length === 2 && initialDistance) {\n  e.preventDefault();\n\n  const touch1 = e.touches[0];\n  const touch2 = e.touches[1];\n\n  const dx = touch1.clientX - touch2.clientX;\n  const dy = touch1.clientY - touch2.clientY;\n  const newDistance = Math.sqrt(dx * dx + dy * dy);\n\n  const newScale = Math.min(Math.max(1, (newDistance \/ initialDistance) * lastScale), 5);\n\n  \/\/ Calcul du centre entre les deux doigts (point de focus)\n  const centerX = (touch1.clientX + touch2.clientX) \/ 2;\n  const centerY = (touch1.clientY + touch2.clientY) \/ 2;\n\n  \/\/ D\u00e9calage du point central par rapport au centre de l\u2019image\n  const rect = img.getBoundingClientRect();\n  const offsetX = centerX - rect.left - rect.width \/ 2;\n  const offsetY = centerY - rect.top - rect.height \/ 2;\n\n  \/\/ Calcul du facteur de zoom\n  const scaleFactor = newScale \/ scale;\n\n  \/\/ Ajustement de la translation pour garder le point sous les doigts\n  translateX += offsetX * (1 - scaleFactor);\n  translateY += offsetY * (1 - scaleFactor);\n\n  scale = newScale;\n\n  applyTransform();\n}\nelse if (e.touches.length === 1 && isTouchDragging) {\n      e.preventDefault();\n      translateX = e.touches[0].clientX - startX;\n      translateY = e.touches[0].clientY - startY;\n      applyTransform();\n    }\n  }, { passive: false });\n\n  img.addEventListener('touchend', (e) => {\n    if (e.touches.length < 2) {\n      lastScale = scale;\n      lastTranslateX = translateX;\n      lastTranslateY = translateY;\n      initialDistance = null;\n      isTouchDragging = false;\n    }\n  });\n});\n\n<\/script>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left text-center-mobile\"><strong>Giovanni Francesco CAROTO<\/strong><br>(Mozzanica?- Bergame, vers 1475-78 \u2013 V\u00e9rone, 1555)<br><span id=\"docs-internal-guid-cb044222-7fff-ad48-71dc-7b05f294c789\"><div><span style=\"font-size: 14pt; font-family: &quot;Open Sans&quot;, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 700; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-variant-position: normal; vertical-align: baseline;\"><\/span><\/div><\/span><\/h2>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading text-center-mobile\" style=\"margin-right:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--40)\"><em>Saint J\u00e9r\u00f4me p\u00e9nitent<\/em><br><\/h4>\n\n\n\n<p class=\"text-center-mobile has-primary-color has-text-color has-small-font-size wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);line-height:1.6\">Vers 1515-1518<br>Huile sur panneau de peuplier<br>56,5 x 50,5 cm<br>Cadre dor\u00e9 <em>a cassetta<\/em> (73 x 66,8 cm)<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns2649_735f70-0c\"><a class=\"kb-button kt-button button kb-btn2649_7b63a0-9e kt-btn-size-small kt-btn-width-type-fixed kb-btn-global-inherit kt-btn-has-text-true kt-btn-has-svg-false wp-block-button__link wp-block-kadence-singlebtn\" href=\"https:\/\/galerieduponchel.com\/contact\/\"><span class=\"kt-btn-inner-text\">Demander un renseignement \/ Prendre rendez-vous<\/span><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--50);margin-bottom:var(--wp--preset--spacing--20)\"><strong>Provenance :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Collection de la r\u00e9gion de Brescia avant 1859 (cachets de douane au dos du panneau)<\/li>\n\n\n\n<li>Derni\u00e8rement, dans une collection particuli\u00e8re des Hauts-de-France<\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\">Nous remercions le professeur Mauro Lucco d\u2019avoir r\u00e9dig\u00e9 la pr\u00e9sente notice apr\u00e8s avoir attribu\u00e9 notre tableau avec certitude \u00e0 Giovanni Francesco Caroto. Grand sp\u00e9cialiste de la peinture v\u00e9nitienne et \u00e9milienne, il a publi\u00e9 de nombreuses monographies faisant aujourd\u2019hui r\u00e9f\u00e9rence (Giovanni Bellini, Andrea Mantegna, Giorgione, Bartolomeo Montagna, Antonello da Messina, Dosso Dossi\u2026).&nbsp;<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40)\">La notice originale, en italien, sign\u00e9e et dat\u00e9e, est disponible sur demande. <br><\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-b2e659ba wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity eplus-wrapper\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-content-justification-center is-layout-constrained wp-container-core-group-is-layout-93ca6edf wp-block-group-is-layout-constrained\" style=\"padding-right:0;padding-left:0\">\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading has-text-align-center eplus-wrapper\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--50)\"><strong>Notice de l'\u0153uvre par Mauro Lucco<\/strong><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:var(--wp--preset--spacing--40);margin-left:0\">Notre tableau est apparu comme anonyme sur le march\u00e9 de l\u2019art fran\u00e7ais en 2022. En excellent \u00e9tat de conservation, il ne pr\u00e9sente pas de v\u00e9ritables lacunes sur la surface peinte, ni de manques importants, comme le montre la photo prise apr\u00e8s le nettoyage (ill. 1) effectu\u00e9 par Cinzia Pasquali dans l'atelier Arcanes \u00e0 Paris (rapport de restauration disponible sur demande).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"2284\" height=\"1274\" data-attachment-id=\"2935\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/caroto-avant-apres\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres.png\" data-orig-size=\"2284,1274\" data-comments-opened=\"1\" data-image-title=\"Caroto avant apre\u0300s\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres.png\" alt=\"\" class=\"wp-image-2935\" style=\"width:680px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres.png 2284w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres-300x167.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres-768x428.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres-1536x857.png 1536w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres-2048x1142.png 2048w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres-18x10.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Caroto-avant-apres-1200x669.png 1200w\" sizes=\"auto, (max-width: 2284px) 100vw, 2284px\" \/><figcaption class=\"wp-element-caption\">(ill. 1) Notre tableau, avant et apr\u00e8s nettoyage<\/figcaption><\/figure>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-5 wp-block-paragraph\">Cette tr\u00e8s bonne conservation r\u00e9side non seulement dans le grand soin apport\u00e9 par l'artiste \u00e0 la durabilit\u00e9 de l'\u0153uvre, mais aussi dans la pr\u00e9paration du dos du panneau (ill. 2) \u00e0 l\u2019aide d\u2019un appr\u00eat brun fonc\u00e9, afin d'\u00e9viter tout affaissement d\u00fb \u00e0 l'absorption d'un exc\u00e8s d'humidit\u00e9. Dans de petites zones o\u00f9 cette pr\u00e9paration s'est d\u00e9tach\u00e9e, on distingue clairement la fibre caract\u00e9ristique du bois de peuplier.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"3761\" height=\"4201\" data-attachment-id=\"3121\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/back-giovanni-francesco-caroto\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto.jpeg\" data-orig-size=\"3761,4201\" data-comments-opened=\"1\" data-image-title=\"Back Giovanni Francesco Caroto\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto.jpeg\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto.jpeg\" alt=\"\" class=\"wp-image-3121\" style=\"width:285px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto.jpeg 3761w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto-269x300.jpeg 269w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto-768x858.jpeg 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto-1375x1536.jpeg 1375w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto-1833x2048.jpeg 1833w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto-11x12.jpeg 11w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/09\/Back-Giovanni-Francesco-Caroto-1200x1340.jpeg 1200w\" sizes=\"auto, (max-width: 3761px) 100vw, 3761px\" \/><figcaption class=\"wp-element-caption\">(ill. 2) Dos du panneau<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-6 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Deux sceaux de cire rouge (ill. 3) sont \u00e9galement visibles au dos du panneau : sur celui qui se trouve en haut \u00e0 gauche, on peut lire sans difficult\u00e9 l'inscription circulaire autour de l'aigle bic\u00e9phale des Habsbourg : \u00ab Provincia di Brescia I.R. Delegazione \u00bb ; le second, plus us\u00e9, en bas \u00e0 droite, pr\u00e8s de l'\u00e9tiquette portant le num\u00e9ro 43 (probablement une \u00e9tiquette de collection) laisse encore visible l'inscription \u00ab Boll....d'Espor....\/Bresc....\/.... \u00bb. Les deux font \u00e9videmment r\u00e9f\u00e9rence au bureau de douane charg\u00e9 de l'exportation des \u0153uvres d'art de cette province. Toutefois, la mention de l'\u00ab I[mperial] R[egia] Delegazione \u00bb et la pr\u00e9sence de l'aigle bic\u00e9phale indiquent que l'op\u00e9ration \u00e0 laquelle ils se rapportent est ant\u00e9rieure \u00e0 1859. Cette ann\u00e9e-l\u00e0, suite \u00e0 la Seconde Guerre d'Ind\u00e9pendance, la partie du Royaume lombard-v\u00e9nitien situ\u00e9e au-del\u00e0 de l'Adige, autrefois sous l'autorit\u00e9 du gouvernement imp\u00e9rial de Vienne, passe sous la juridiction du royaume de Pi\u00e9mont-Sardaigne, dirig\u00e9 par la maison de Savoie.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"422\" data-attachment-id=\"2666\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/caroto-1\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1.png\" data-orig-size=\"2010,828\" data-comments-opened=\"1\" data-image-title=\"Caroto &amp;#8211; 1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-1024x422.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-1024x422.png\" alt=\"\" class=\"wp-image-2666\" style=\"width:505px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-1024x422.png 1024w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-300x124.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-768x316.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-1536x633.png 1536w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-18x7.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1-1200x494.png 1200w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-1.png 2010w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">(ill. 3) Cachets pr\u00e9sents au dos de notre panneau<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-7 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">La position du sceau en bas, partiellement coup\u00e9, ainsi que quelques petits \u00e9clats de bois sur le c\u00f4t\u00e9 droit de la peinture (le c\u00f4t\u00e9 gauche lorsque l'\u0153uvre est vue de dos) sugg\u00e8rent que le panneau a \u00e9t\u00e9 l\u00e9g\u00e8rement rogn\u00e9 sur ces bords. Cependant, l'\u00e9quilibre de la composition montre que, si une telle op\u00e9ration a eu lieu, elle n'a probablement concern\u00e9 que quelques millim\u00e8tres. Cela est d'autant plus plausible que les deux bandes verticales plus claires, correspondant \u00e0 des traverses enlev\u00e9es plus tard pour maintenir le panneau droit, sont l\u00e9g\u00e8rement asym\u00e9triques, ce qui indiquerait une coupe de 4 ou 5 mm au maximum.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-8 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">En ce qui concerne la partie figurative du tableau, les photos avant et apr\u00e8s le nettoyage, ainsi que son aspect final, montrent qu'elle est intacte et parfaitement lisible dans ses caract\u00e9ristiques stylistiques. Une radiographie effectu\u00e9e pendant la restauration montre que le saint \u00e9tait \u00e0 l'origine de profil parfait avant d\u2019\u00eatre l\u00e9g\u00e8rement modifi\u00e9 dans sa pose actuelle, un trois-quarts tr\u00e8s accentu\u00e9.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-9 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Le r\u00e9seau de plis complexes et zigzagants du drap\u00e9 de l\u2019ermite \u00e9voque clairement les mod\u00e8les inspir\u00e9s de Mantegna (1431-1506) peints par le V\u00e9ronais Francesco Bonsignori (1460-1519), durant son s\u00e9jour \u00e0 Mantoue \u00e0 partir de 1477 (comme l'indique un document retrouv\u00e9 par Stefano L'Occaso<strong><sup>(1)<\/sup><\/strong>). Ce s\u00e9jour ne l'emp\u00eache pas d'envoyer certaines de ses \u0153uvres majeures \u00e0 V\u00e9rone. Ce parall\u00e8le est particuli\u00e8rement \u00e9vident dans la comparaison (malheureusement seulement possible aujourd'hui par photographie) avec le Saint S\u00e9bastien du Kaiser-Friedrich-Museum de Berlin, dat\u00e9 de 1485 et d\u00e9truit pendant la guerre en 1945 (ill. 4).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"743\" data-attachment-id=\"2668\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/caroto-2\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2.png\" data-orig-size=\"1290,936\" data-comments-opened=\"1\" data-image-title=\"Caroto 2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2-1024x743.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2-1024x743.png\" alt=\"\" class=\"wp-image-2668\" style=\"width:469px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2-1024x743.png 1024w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2-300x218.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2-768x557.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2-18x12.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2-1200x871.png 1200w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-2.png 1290w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">(ill. 4) Comparaison avec le <em>Saint S\u00e9bastien <\/em>par Francesco Bonsignori<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-10 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Il est vrai que, bien que V\u00e9rone et Mantoue soient des territoires contigus, facilitant les d\u00e9placements entre les deux villes, la pr\u00e9sence dans la cit\u00e9 des Gonzague du plus grand peintre de l'\u00e9poque, Andrea Mantegna, rendait cette ville beaucoup plus attrayante que la plus peupl\u00e9e V\u00e9rone. D'autres d\u00e9tails renvoient d\u2019ailleurs \u00e0 cette origine : les rochers qui surgissent comme des dents cari\u00e9es (ill. 5), \u00e0 gauche du saint, rappellent ceux de la <em>Madone des carri\u00e8res<\/em> des Offices, peut-\u00eatre r\u00e9interpr\u00e9t\u00e9s de mani\u00e8re plus simple et prosa\u00efque par Antonio da Pavia (actif entre 1500 et 1514), comme dans la <em>Nativit\u00e9 avec saint Antoine Abb\u00e9 et saint S\u00e9bastien<\/em>, autrefois \u00e0 l'H\u00f4pital d'Ostiglia et aujourd'hui conserv\u00e9e au mus\u00e9e dioc\u00e9sain de Mantoue et datable autour de 1506-1510<strong><sup>(2)<\/sup><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"599\" data-attachment-id=\"2671\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/caroto-3\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3.png\" data-orig-size=\"1314,768\" data-comments-opened=\"1\" data-image-title=\"Caroto 3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3-1024x599.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3-1024x599.png\" alt=\"\" class=\"wp-image-2671\" style=\"width:541px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3-1024x599.png 1024w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3-300x175.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3-768x449.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3-18x12.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3-1200x701.png 1200w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-3.png 1314w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">(ill. 5) Comparaison avec <em>la Madone des carri\u00e8res<\/em> par Andrea Mantegna<br>et la <em>Nativit\u00e9 avec saint Antoine Abb\u00e9 et saint S\u00e9bastien<\/em> par Antonio da Pavia (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-11 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Le paysage, que l\u2019on pourrait d\u00e9finir avec Manzoni comme \u00ab tout en sinuosit\u00e9s et en golfs \u00bb, avec des monticules \u00e9mergeant des eaux et un petit arbre fr\u00eale indiquant la profondeur, se retrouve dans d'autres \u0153uvres mantouanes encore influenc\u00e9es par Mantegna : par exemple, dans un tableau probablement de Fermo Ghisoni (ill. 6), conserv\u00e9 \u00e0 l'Acad\u00e9mie Albertina des Beaux-Arts de Turin (inv. 135) et peint d\u2019apr\u00e8s la gravure de la <em>Vierge d'humilit\u00e9<\/em> r\u00e9alis\u00e9e par le grand ma\u00eetre vers le milieu du si\u00e8cle.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"908\" data-attachment-id=\"2673\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/caroto-4\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4.png\" data-orig-size=\"1152,1022\" data-comments-opened=\"1\" data-image-title=\"Caroto 4\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4-1024x908.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4-1024x908.png\" alt=\"\" class=\"wp-image-2673\" style=\"width:421px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4-1024x908.png 1024w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4-300x266.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4-768x681.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4-14x12.png 14w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-4.png 1152w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">(ill. 6) Comparaison avec le paysage de la <em>Vierge d'humilit\u00e9<\/em> attribu\u00e9e \u00e0 Fermo Ghisoni (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-12 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Si ces d\u00e9tails indiquent une origine culturelle plut\u00f4t univoque, il faudra alors chercher parmi les artistes de V\u00e9rone ayant s\u00e9journ\u00e9 plus ou moins longtemps \u00e0 Mantoue, durant la p\u00e9riode chronologique d\u00e9duite des observations pr\u00e9c\u00e9dentes. Le fait qu'ils soient tr\u00e8s peu nombreux, pas plus de trois ou quatre<strong><sup>(3)<\/sup><\/strong>, ainsi que la morphologie particuli\u00e8re des rochers, typique de Mantoue jusqu\u2019\u00e0 la r\u00e9alisation du retable de Redondesco<strong><sup>(4)<\/sup><\/strong>, renvoient \u00e0 un seul nom possible : Giovanni Francesco Caroto.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-13 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Selon Giorgio Vasari<strong><sup>(5)<\/sup><\/strong>, en effet, \u00ab apr\u00e8s avoir appris les premiers rudiments des lettres, ayant une inclination pour la peinture, il se mit \u00e0 l\u2019apprendre aupr\u00e8s de Liberale da Verona, lui promettant de le r\u00e9compenser pour ses efforts. [...] Quelques ann\u00e9es plus tard, ayant gagn\u00e9 en discernement avec l\u2019\u00e2ge, il vit \u00e0 V\u00e9rone les \u0153uvres d\u2019Andrea Mantegna, et trouvant, comme c\u2019\u00e9tait effectivement le cas, qu\u2019elles \u00e9taient d\u2019un autre style et meilleures que celles de son ma\u00eetre, il fit en sorte, avec l\u2019accord de son p\u00e8re et avec la bienveillance de Liberale, de pouvoir s\u2019attacher \u00e0 Mantegna. Ainsi, parti pour Mantoue et plac\u00e9 sous sa tutelle, il acquit, en peu de temps, tant de comp\u00e9tences qu\u2019Andrea envoyait \u00e0 l\u2019ext\u00e9rieur des \u0153uvres de lui comme si elles \u00e9taient de sa propre main... \u00bb.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-14 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Bien s\u00fbr, personne ne peut croire \u00e0 la v\u00e9racit\u00e9 litt\u00e9rale de ce r\u00e9cit selon lequel Mantegna, qui pr\u00e9f\u00e9rait refuser de peindre plut\u00f4t que de laisser sortir de son atelier des tableaux imparfaits, se serait mis \u00e0 \u00e9couler de fausses \u0153uvres faites par Caroto. Cependant, on ne peut rien objecter au fait essentiel : la pr\u00e9sence de Caroto \u00e0 Mantoue. En guise de preuve, ses retables de Redondesco et de Santa Maria della Carit\u00e0 demeurent aujourd\u2019hui dans la ville des Gonzague.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-15 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">D\u2019ailleurs, en observant de plus pr\u00e8s le retable endommag\u00e9 de la Carit\u00e0, le profil de saint Bovo ressemble beaucoup \u00e0 celui de notre saint J\u00e9r\u00f4me (ill. 7), et encore plus \u00e0 la premi\u00e8re id\u00e9e, ensuite modifi\u00e9e, r\u00e9v\u00e9l\u00e9e par la radiographie. Mutatis mutandis, dans la transformation d\u2019un visage masculin en un visage f\u00e9minin, le quasi-profil de notre saint J\u00e9r\u00f4me se retrouve dans une <em>Vierge \u00e0 l\u2019Enfant<\/em> (ill. 8) acquise en 2016 par le mus\u00e9e de Palazzo Ducale de Mantoue sous le nom de Caroto, bien qu\u2019elle ait ensuite \u00e9t\u00e9 r\u00e9attribu\u00e9e \u00e0 Bonsignori, entre 1510 et 1515. Cependant, si l\u2019on r\u00e9fl\u00e9chit \u00e0 la diff\u00e9rence stylistique avec le retable de la chapelle de San Biagio dans l\u2019\u00e9glise Santi Nazaro e Celso de V\u00e9rone, commenc\u00e9 en 1514 et achev\u00e9 avant 1519, il faudra in\u00e9vitablement conclure que la premi\u00e8re attribution \u00e9tait plus justifi\u00e9e.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1004\" height=\"504\" data-attachment-id=\"4900\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/capture-decran-2025-04-18-a-17-26-30\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Capture-decran-2025-04-18-a-17.26.30.png\" data-orig-size=\"1004,504\" data-comments-opened=\"1\" data-image-title=\"Capture d\u2019e\u0301cran 2025-04-18 a\u0300 17.26.30\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Capture-decran-2025-04-18-a-17.26.30.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Capture-decran-2025-04-18-a-17.26.30.png\" alt=\"\" class=\"wp-image-4900\" style=\"width:578px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Capture-decran-2025-04-18-a-17.26.30.png 1004w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Capture-decran-2025-04-18-a-17.26.30-300x151.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Capture-decran-2025-04-18-a-17.26.30-768x386.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Capture-decran-2025-04-18-a-17.26.30-18x9.png 18w\" sizes=\"auto, (max-width: 1004px) 100vw, 1004px\" \/><figcaption class=\"wp-element-caption\">(ill. 7) Confrontation de la r\u00e9flectographie infrarouge avec le saint Bovo (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"520\" data-attachment-id=\"2678\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/caroto-6\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6.png\" data-orig-size=\"1264,642\" data-comments-opened=\"1\" data-image-title=\"Caroto 6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6-1024x520.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6-1024x520.png\" alt=\"\" class=\"wp-image-2678\" style=\"width:578px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6-1024x520.png 1024w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6-300x152.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6-768x390.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6-18x9.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6-1200x609.png 1200w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Caroto-6.png 1264w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">(ill. 8) Notre saint J\u00e9r\u00f4me confront\u00e9 \u00e0 la <em>Vierge \u00e0 l'Enfant<\/em> du mus\u00e9e de Palazzo Ducale de Mantoue (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-16 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Ces physionomies se retrouvent \u00e9galement, selon moi, dans l'une des \u0153uvres majeures de la carri\u00e8re de l'artiste, la<em> Lamentation sur le Christ mort<\/em> (ill. 10), autrefois dans la collection Fontana de Turin, sign\u00e9e au verso et dat\u00e9e de 1515 : un document incontournable pour un moment crucial de sa carri\u00e8re, celui de son service \u00e0 la cour des Pal\u00e9ologue de Casale Monferrato. En r\u00e9alit\u00e9, nous ne savons rien de pr\u00e9cis sur les circonstances de son embauche. Il a \u00e9t\u00e9 suppos\u00e9 qu\u2019elle aurait pu \u00eatre facilit\u00e9e par le sculpteur v\u00e9ronais Matteo Sanmicheli (actif jusqu\u2019en 1528), pr\u00e9sent \u00e0 la cour des Pal\u00e9ologue entre 1510 et 1517, et cousin du plus c\u00e9l\u00e8bre architecte Michele (1484-1559), qui aurait pu \u00e9galement le recommander au Marquis, ou encore par Antonio Maria Visconte lui-m\u00eame, m\u00e9c\u00e8ne et protecteur milanais de Caroto.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-17 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">La premi\u00e8re mention de notre artiste \u00e0 Casale date du 12 juillet 1516 et concerne une donation de terres par Guglielmo IX dont il est b\u00e9n\u00e9ficiaire. Cela implique, en dehors d\u2019autres consid\u00e9rations sur le m\u00e9tier et le r\u00f4le des peintres, que les deux hommes se connaissaient et se fr\u00e9quentaient depuis un moment. Sachant que la <em>Lamentation sur le Christ mort<\/em>, alors d\u00e9j\u00e0 peinte, est vraisemblablement ce qui reste de la d\u00e9coration de la chapelle priv\u00e9e de Guglielmo IX, il n\u2019est pas d\u00e9raisonnable de penser que Caroto est arriv\u00e9 dans la ville d\u00e8s 1514, presque en remplacement imm\u00e9diat de Macrino d'Alba (environ 1460-1513). On ne trouve effectivement plus aucune trace de ce peintre apr\u00e8s sa <em>Vierge \u00e0 l\u2019Enfant<\/em> d\u2019une collection priv\u00e9e turinoise, dat\u00e9e du 21 octobre 1513, et qui aurait donc disparu \u00e0 cette \u00e9poque.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-18 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Au m\u00eame s\u00e9jour \u00e0 Casale appartient \u00e9galement le <em>retable avec Saint S\u00e9bastien<\/em>, sign\u00e9, qui se trouve toujours dans l'\u00e9glise de Santo Stefano, son emplacement d'origine. On y retrouve, au-del\u00e0 d'autres influences culturelles, le d\u00e9tail d'un petit doigt \u00e9cart\u00e9 vers l'ext\u00e9rieur, comme dans notre saint J\u00e9r\u00f4me (ill. 9).<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-19 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Mais je crois qu\u2019au-del\u00e0 des co\u00efncidences ponctuelles de motifs, il faut reconna\u00eetre la tr\u00e8s forte parent\u00e9 qui existe entre notre tableau et la <em>Lamentation sur le Christ mort<\/em> ex-Fontana (ill.10) : la disposition des plis, la tonalit\u00e9 profonde de la palette, la similitude des gestes, la puissance volum\u00e9trique des formes contrast\u00e9e par la nervosit\u00e9 des doigts forment une v\u00e9ritable rencontre sur un terrain commun. Je ne voudrais pas non plus perdre davantage de temps \u00e0 \u00e9num\u00e9rer d'autres petits d\u00e9tails \u00ab morelliens \u00bb, comme la forme arrondie des ongles des mains et des pieds, qui revient de mani\u00e8re caract\u00e9ristique dans toute l'\u0153uvre de Caroto. Ce qui m'importe davantage, en revanche, c'est de souligner que, dans une carri\u00e8re apparemment discontinue, marqu\u00e9e par de nombreuses ruptures, l'\u00e9quivalence absolue du style avec le tableau ex-Fontana de 1515 situe \u00e9galement notre peinture dans la p\u00e9riode la plus heureuse de l'artiste, \u00e0 la cour des Pal\u00e9ologue de Casale Monferrato, qui reste encore \u00e0 explorer plus en profondeur pour nous r\u00e9v\u00e9ler, si possible, quelque chose de plus sur cet artiste remarquable et insaisissable.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-20 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Il s'agit, en somme, d'une d\u00e9couverte tr\u00e8s importante qui permet aussi de mieux \u00e9valuer l'importance de Caroto dans le contexte de la peinture v\u00e9ronaise du XVI<sup>e<\/sup> si\u00e8cle, qui, au moins jusqu'\u00e0 la derni\u00e8re exposition monographique de 2022, ne semblait pas encore bien \u00e9tablie.<\/p>\n\n\n\n<p class=\"has-text-align-right eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-21 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:0;margin-left:var(--wp--preset--spacing--80);font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.836), 22px);\">Mauro Lucco<\/p>\n\n\n\n<p class=\"has-text-align-right eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-22 wp-block-paragraph\" style=\"margin-top:5px;margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">(traduit de la notice originale en italien)<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center eplus-wrapper has-primary-color has-text-color has-link-color has-small-font-size wp-elements-23 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Peint lors du s\u00e9jour de l\u2019artiste \u00e0 Casale Monferrato, entre 1514 et 1518, au service de Guillaume IX Pal\u00e9ologue, notre panneau s\u2019ajoute aux deux seules \u0153uvres connues de cette p\u00e9riode.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"2838\" height=\"994\" data-attachment-id=\"4897\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-francesco-caroto\/caroto-confrontation\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation.png\" data-orig-size=\"2838,994\" data-comments-opened=\"1\" data-image-title=\"Caroto Confrontation\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation.png\" alt=\"\" class=\"wp-image-4897\" style=\"width:800px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation.png 2838w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation-300x105.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation-768x269.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation-1536x538.png 1536w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation-2048x717.png 2048w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation-18x6.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/04\/Caroto-Confrontation-1200x420.png 1200w\" sizes=\"auto, (max-width: 2838px) 100vw, 2838px\" \/><figcaption class=\"wp-element-caption\">(ill. 10) Confrontation de notre panneau avec la <em>Lamentation sur le Christ mort<\/em> (Turin, collection particuli\u00e8re) et le <em>Saint S\u00e9bastien<\/em>\u00a0<br>(Casale, \u00e9glise de Santo Stefano)<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7b6cef8a wp-block-columns-is-layout-flex\" style=\"padding-bottom:0\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-bottom:0\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:0;margin-bottom:0\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-24 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(1)<\/sup><\/strong> S. L'Occaso, <em>Fonti archivistiche per le arti a Mantova tra Medioevo e tutta Rinascimento (1382-1459)<\/em>, Mantoue, 2005, p. 127, 129 note 7<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-25 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(2)<\/sup><\/strong> M. Danieli,<em> in Mantegna a Mantova<\/em>, 1460-1506, catalogue de l'exposition, Milan, 2006, p. 144-145<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-26 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(3)<\/sup><\/strong> S. L\u2019Occaso, <em>Pittura a Mantova nel Quattrocento<\/em>, Mantoue, 2019, p. 189-206<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-27 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(4)<\/sup><\/strong> Peint par Giovanni Francesco Caroto \u00e0 Mantoue, il repr\u00e9sente <em>le Christ avec la croix entre deux saints<\/em> (voir Danieli, <em>op. cit<\/em>., p. 194-195)<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-28 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(5)<\/sup><\/strong> <em>Le vite de\u2019 pi\u00f9 eccellenti Pittori, Scultori ed Architettori<\/em>, Florence 1568, \u00e9d. Milanesi, vol. V, Florence, 1906, p. 280<\/p>\n<\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns2649_6f3fa9-eb\"><a class=\"kb-button kt-button button kb-btn2649_a655d1-6a kt-btn-size-small kt-btn-width-type-fixed kb-btn-global-inherit kt-btn-has-text-true kt-btn-has-svg-false wp-block-button__link wp-block-kadence-singlebtn\" href=\"https:\/\/galerieduponchel.com\/contact\/\"><span class=\"kt-btn-inner-text\">Demander un renseignement \/ Prendre rendez-vous<\/span><\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns2649_27a20c-66\"><a class=\"kb-button kt-button button kb-btn2649_5869d1-04 kt-btn-size-xlarge kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-false kt-btn-has-svg-true scroll-to-top-button wp-block-kadence-singlebtn\" href=\"#top\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_arrow-up kt-btn-icon-side-right\"><svg viewBox=\"0 0 448 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M34.9 289.5l-22.2-22.2c-9.4-9.4-9.4-24.6 0-33.9L207 39c9.4-9.4 24.6-9.4 33.9 0l194.3 194.3c9.4 9.4 9.4 24.6 0 33.9L413 289.4c-9.5 9.5-25 9.3-34.3-.4L264 168.6V456c0 13.3-10.7 24-24 24h-32c-13.3 0-24-10.7-24-24V168.6L69.2 289.1c-9.3 9.8-24.8 10-34.3.4z\"\/><\/svg><\/span><\/a><\/div>\n\n\n\n<script>\ndocument.addEventListener('DOMContentLoaded', function() {\n    document.querySelector('a[href=\"#top\"]').addEventListener('click', function(e) {\n        e.preventDefault();\n        window.scrollTo({\n            top: 0,\n            behavior: 'smooth'\n        });\n    });\n});\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>&lt; RETOUR &#10094; &#10095; &#8211; + &#10094; &#10095; Giovanni Francesco CAROTO(Mozzanica?- Bergame, vers 1475-78 \u2013 V\u00e9rone, 1555) Saint J\u00e9r\u00f4me p\u00e9nitent Vers 1515-1518Huile sur panneau de peuplier56,5 x 50,5 cmCadre dor\u00e9 a cassetta (73 x 66,8 cm) Provenance : Nous remercions le professeur Mauro Lucco d\u2019avoir r\u00e9dig\u00e9 la pr\u00e9sente notice apr\u00e8s avoir attribu\u00e9 notre tableau avec [&hellip;]<\/p>\n","protected":false},"author":238326647,"featured_media":0,"parent":6542,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-2649","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pf1lHR-GJ","jetpack-related-posts":[{"id":6542,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/","url_meta":{"origin":2649,"position":0},"title":"Nos oeuvres","author":"Galerie Duponchel","date":"23 July 2025","format":false,"excerpt":"Nos \u0152uvres Toutes nos \u0153uvres Dessins Tableaux Giovanni Francesco CAROTO (1475\u20131555) Saint J\u00e9r\u00f4me p\u00e9nitent Huile sur panneau de peuplier 56,5 \u00d7 50,5 cm Nicol\u00f2 DELL\u2019ABATE (1509\u20131571) Putti jouant au cheval Sanguine 17,1 x 15,6 cm Entourage de Nicol\u00f2 DELL\u2019ABATE (1509\u20131571) Sc\u00e8ne narrative avec plusieurs figures (recto) Figure f\u00e9minine (verso) Plume\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7668,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres-tests\/","url_meta":{"origin":2649,"position":1},"title":"Nos oeuvres-tests","author":"Galerie Duponchel","date":"31 July 2025","format":false,"excerpt":"Nos \u0152uvres Toutes nos \u0153uvres Dessins Tableaux Giovanni Francesco CAROTO (1475\u20131555) Saint J\u00e9r\u00f4me p\u00e9nitent Huile sur panneau de peuplier 56,5 \u00d7 50,5 cm Polidoro CALDARA, dit POLIDORO da CARAVAGGIO (1499\u20131543) La Vierge \u00e0 l\u2019Enfant avec le petit saint Jean-Baptiste Plume et encre brune 5,5 \u00d7 6 cm Antoine CARON (1522\u20131599)\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2244,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/baciccio\/","url_meta":{"origin":2649,"position":2},"title":"Baciccio","author":"Galerie Duponchel","date":"22 August 2024","format":false,"excerpt":"< RETOUR \u276e \u276f","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Baciccio-encadre.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Baciccio-encadre.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Baciccio-encadre.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Baciccio-encadre.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Baciccio-encadre.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/08\/Baciccio-encadre.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3504,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-fedini\/","url_meta":{"origin":2649,"position":3},"title":"Giovanni Fedini","author":"Galerie Duponchel","date":"6 November 2024","format":false,"excerpt":"< RETOUR \u276e \u276f - + \u276e \u276f Giovanni FEDINI(Florence, 1539-1600) L'Annonciation Vers 1571Plume encre brune, lavis brun - 25,8 x 20 cmCadre italien du XVIIe si\u00e8cle - 43 x 36 cmFiligrane : \u00e9toile \u00e0 cinq branches inscrite dans un cercle surmont\u00e9 d\u2019une croix latine (proche du Briquet n\u00b0 6089)\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/11\/Fedini-comparaisons.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/11\/Fedini-comparaisons.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/11\/Fedini-comparaisons.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/11\/Fedini-comparaisons.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/11\/Fedini-comparaisons.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2024\/11\/Fedini-comparaisons.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":9016,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/giovanni-battista-paggi\/","url_meta":{"origin":2649,"position":4},"title":"Giovanni Battista Paggi","author":"Galerie Duponchel","date":"9 March 2026","format":false,"excerpt":"< RETOUR \u276e \u276f - + \u276e \u276f Giovanni Battista PAGGI(G\u00eanes, 1554-1627) \u00c9tude de cavaliers Pierre noire, plume et encre brune - 18,5 x 24 cmFiligrane : Probablement le Briquet 3255, G\u00eanes 1600Cadre b\u00e9rain d\u2019\u00e9poque Louis XIV - 39,5 x 32,3 cm Nous remercions chaleureusement Jonathan Bober d\u2019avoir confirm\u00e9 l'attribution\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/12\/Paggi-encadre.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/12\/Paggi-encadre.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/12\/Paggi-encadre.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/12\/Paggi-encadre.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/12\/Paggi-encadre.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/12\/Paggi-encadre.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":6000,"url":"https:\/\/galerieduponchel.com\/en\/presse\/","url_meta":{"origin":2649,"position":5},"title":"Press","author":"Galerie Duponchel","date":"8 July 2025","format":false,"excerpt":"PRESSE Carolina Trupiano Kowalczyk, 24 juin 2026, \"Una stagione di fogli eccellenti: fascino e fragilit\u00e0 dell\u2019arte su carta\", Il Giornale dell'Arte \u00c9tienne Dumont, 28 mars 2026, \"Le Salon du Dessin coiffe la semaine d\u00e9di\u00e9e au papier\", Bilan Nicolas Bousser, 25 mars 2026, \"Les 10 plus belles feuilles \u00e0 admirer au\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-25-a-19.19.39.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-25-a-19.19.39.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-25-a-19.19.39.png?resize=525%2C300&ssl=1 1.5x, 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3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/2649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/users\/238326647"}],"replies":[{"embeddable":true,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/comments?post=2649"}],"version-history":[{"count":100,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/2649\/revisions"}],"predecessor-version":[{"id":9255,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/2649\/revisions\/9255"}],"up":[{"embeddable":true,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/6542"}],"wp:attachment":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/media?parent=2649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}