{"id":8855,"date":"2026-03-09T10:26:54","date_gmt":"2026-03-09T09:26:54","guid":{"rendered":"https:\/\/galerieduponchel.com\/?page_id=8855"},"modified":"2026-03-09T11:07:04","modified_gmt":"2026-03-09T10:07:04","slug":"baccio-ciarpi","status":"publish","type":"page","link":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/baccio-ciarpi\/","title":{"rendered":"Baccio Ciarpi"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull eplus-wrapper has-foreground-color has-text-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-767b465b wp-block-group-is-layout-constrained\" style=\"background-color:#fefcf8;padding-top:20px;padding-right:var(--wp--preset--spacing--30);padding-bottom:20px;padding-left:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-b2e659ba wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p class=\"retour-link has-small-font-size wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--50)\">\n    <a href=\"https:\/\/galerieduponchel.com\/nos-oeuvres\/\" class=\"retour-link\" data-type=\"page\" data-id=\"124\">&lt; RETOUR<\/a>\n<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div class=\"custom-gallery\">\n  <div class=\"main-image-container\">\n    <img decoding=\"async\" id=\"mainImage\" src=\"\" alt=\"Image principale\">\n    <button class=\"arrow left\" onclick=\"prevImage()\">&#10094;<\/button>\n    <button class=\"arrow right\" onclick=\"nextImage()\">&#10095;<\/button>\n  <\/div>\n  <div class=\"thumbnails\">\n    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{\n    imgPos = { x: 0, y: 0 };\n  }\n\n  applyTransform();\n});\n\n\/\/ Zoom out progressif sur les boutons +\nzoomInBtn.addEventListener('click', () => {\n  const newZoom = Math.min(5, (parseFloat(zoomLevel) + 0.1).toFixed(2));\n\n  \/\/ Ici on ne recentre pas imgPos, zoom in garde la position actuelle\n  zoomLevel = newZoom;\n  zoomSlider.value = zoomLevel;\n\n  applyTransform();\n});\n\n\/\/ Zoom via slider avec recentrage progressif si zoom out\nzoomSlider.addEventListener('input', () => {\n  const newZoom = parseFloat(zoomSlider.value);\n\n  if (newZoom < zoomLevel) {\n    const t = (newZoom - 1) \/ (zoomLevel - 1);\n    imgPos.x *= t;\n    imgPos.y *= t;\n  }\n\n  zoomLevel = newZoom;\n\n  if (zoomLevel === 1) {\n    imgPos = { x: 0, y: 0 };\n  }\n\n  applyTransform();\n});\n\n\n \/\/ Molette pour zoom continu avec recentrage progressif\nlightboxImage.addEventListener('wheel', (e) => {\n  e.preventDefault();\n  const delta = e.deltaY < 0 ? 0.1 : -0.1;\n  const newZoom = 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new WebKitCSSMatrix(style.transform);\n  currentTranslateX = matrix.m41;\n  currentTranslateY = matrix.m42;\n  \/\/ Changer le curseur pour indiquer le drag\n  zoomedImg.style.cursor = 'grabbing';\n});\n\n\/\/ Fonction pour bouger l\u2019image pendant le drag\nwindow.addEventListener('mousemove', (e) => {\n  if (!isDragging) return;\n  e.preventDefault();\n  const dx = e.clientX - startX;\n  const dy = e.clientY - startY;\n  \/\/ Appliquer la translation\n  zoomedImg.style.transform = `scale(${currentScale}) translate(${currentTranslateX + dx}px, ${currentTranslateY + dy}px)`;\n});\n\n\/\/ Fonction pour arr\u00eater le drag\nwindow.addEventListener('mouseup', (e) => {\n  if (!isDragging) return;\n  isDragging = false;\n  e.preventDefault();\n  \/\/ Met \u00e0 jour la position courante pour la prochaine fois\n  const style = window.getComputedStyle(zoomedImg);\n  const matrix = new WebKitCSSMatrix(style.transform);\n  currentTranslateX = matrix.m41;\n  currentTranslateY = matrix.m42;\n  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e.touches[0].clientX - e.touches[1].clientX;\n      const dy = e.touches[0].clientY - e.touches[1].clientY;\n      initialDistance = Math.sqrt(dx * dx + dy * dy);\n    } else if (e.touches.length === 1) {\n      const currentTime = Date.now();\n      if (currentTime - lastTapTime < doubleTapDelay) {\n        \/\/ Double tap => reset zoom\n        scale = 1;\n        translateX = 0;\n        translateY = 0;\n        lastTranslateX = 0;\n        lastTranslateY = 0;\n        applyTransform();\n        e.preventDefault();\n      }\n      lastTapTime = currentTime;\n\n      if (scale > 1) {\n        isTouchDragging = true;\n        startX = e.touches[0].clientX - translateX;\n        startY = e.touches[0].clientY - translateY;\n      }\n    }\n  }, { passive: false });\n\n  img.addEventListener('touchmove', (e) => {\nif (e.touches.length === 2 && initialDistance) {\n  e.preventDefault();\n\n  const touch1 = e.touches[0];\n  const touch2 = e.touches[1];\n\n  const dx = touch1.clientX - touch2.clientX;\n  const dy = touch1.clientY - touch2.clientY;\n  const newDistance = Math.sqrt(dx * dx + dy * dy);\n\n  const newScale = Math.min(Math.max(1, (newDistance \/ initialDistance) * lastScale), 5);\n\n  \/\/ Calcul du centre entre les deux doigts (point de focus)\n  const centerX = (touch1.clientX + touch2.clientX) \/ 2;\n  const centerY = (touch1.clientY + touch2.clientY) \/ 2;\n\n  \/\/ D\u00e9calage du point central par rapport au centre de l\u2019image\n  const rect = img.getBoundingClientRect();\n  const offsetX = centerX - rect.left - rect.width \/ 2;\n  const offsetY = centerY - rect.top - rect.height \/ 2;\n\n  \/\/ Calcul du facteur de zoom\n  const scaleFactor = newScale \/ scale;\n\n  \/\/ Ajustement de la translation pour garder le point sous les doigts\n  translateX += offsetX * (1 - scaleFactor);\n  translateY += offsetY * (1 - scaleFactor);\n\n  scale = newScale;\n\n  applyTransform();\n}\nelse if (e.touches.length === 1 && isTouchDragging) {\n      e.preventDefault();\n      translateX = e.touches[0].clientX - startX;\n      translateY = e.touches[0].clientY - startY;\n      applyTransform();\n    }\n  }, { passive: false });\n\n  img.addEventListener('touchend', (e) => {\n    if (e.touches.length < 2) {\n      lastScale = scale;\n      lastTranslateX = translateX;\n      lastTranslateY = translateY;\n      initialDistance = null;\n      isTouchDragging = false;\n    }\n  });\n});\n\n<\/script>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left text-center-mobile\"><strong>Lorenzo BARTOLOMEO dit Baccio CIARPI<\/strong><br>(Barga, 1574 - Rome, 1654)<br><span id=\"docs-internal-guid-cb044222-7fff-ad48-71dc-7b05f294c789\"><div><span style=\"font-size: 14pt; font-family: &quot;Open Sans&quot;, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 700; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-variant-position: normal; vertical-align: baseline;\"><\/span><\/div><\/span><\/h2>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading text-center-mobile\" style=\"margin-right:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--40)\"><em><em>Saint Jean-Baptiste<\/em><\/em><br><\/h4>\n\n\n\n<p class=\"text-center-mobile has-primary-color has-text-color has-small-font-size wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);line-height:1.6\">Avant 1614<br>Huile sur toile<br>65 x 50 cm<br>Cadre italien du XVII<sup>e <\/sup>si\u00e8cle (81 x 64,5 cm)<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns8855_82b6cb-8d\"><a class=\"kb-button kt-button button kb-btn8855_1fe7bb-19 kt-btn-size-small kt-btn-width-type-fixed kb-btn-global-inherit kt-btn-has-text-true kt-btn-has-svg-false wp-block-button__link wp-block-kadence-singlebtn\" href=\"https:\/\/galerieduponchel.com\/contact\/\"><span class=\"kt-btn-inner-text\">Demander un renseignement \/ Prendre rendez-vous<\/span><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\">Nous remercions le professeur Federico Berti, historien de l\u2019art sp\u00e9cialiste de la peinture toscane, d\u2019avoir r\u00e9dig\u00e9 la pr\u00e9sente notice.<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40)\">La notice originale, en italien, sign\u00e9e et dat\u00e9e, est disponible sur demande. <br><\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-b2e659ba wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity eplus-wrapper\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-content-justification-center is-layout-constrained wp-container-core-group-is-layout-93ca6edf wp-block-group-is-layout-constrained\" style=\"padding-right:0;padding-left:0\">\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading has-text-align-center eplus-wrapper\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--50)\"><strong>Notice de l'\u0153uvre par Federico Berti<\/strong><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:var(--wp--preset--spacing--40);margin-left:0\">Notre toile repr\u00e9sente le buste d\u2019un jeune saint Jean-Baptiste, assis et torse nu, qui montre du doigt son attribut caract\u00e9ristique : sa croix de roseau entour\u00e9e du phylact\u00e8re portant l\u2019inscription \u00ab\u202fECCE AGNUS DEI\u202f\u00bb. Le corps du saint, caress\u00e9 par la lumi\u00e8re, se d\u00e9tache avec force de l\u2019ombre du fond, selon un proc\u00e9d\u00e9 qui renvoie \u00e0 la r\u00e9volution artistique op\u00e9r\u00e9e \u00e0 Rome par le Caravage (1571-1610), au tournant des XVI<sup>e<\/sup> et XVII<sup>e<\/sup> si\u00e8cles. Les enseignements de Merisi se retrouvent notamment dans le feuillage rapidement esquiss\u00e9 dans le coin sup\u00e9rieur droit de la composition.<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\">Bien qu'empreinte d\u2019un naturalisme manifeste, perceptible dans l\u2019observation anatomique minutieuse et dans des d\u00e9tails tels que les ombres port\u00e9es qui parcourent la figure du saint, du menton \u00e0 l\u2019\u00e9paule et sur le bras gauche, un examen plus approfondi de l\u2019\u0153uvre r\u00e9v\u00e8le une certaine id\u00e9alisation, particuli\u00e8rement visible dans le visage du Baptiste. Cette synth\u00e8se entre nature et id\u00e9al, combin\u00e9e \u00e0 la physionomie caract\u00e9ristique du saint, \u00e9voque moins les suiveurs directs du Caravage que les exp\u00e9rimentations naturalistes de la peinture toscane de la Contre-R\u00e9forme, nourrie des innovations artistiques romaines.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-5 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">De nombreux peintres florentins sont actifs dans la ville papale \u00e0 cette \u00e9poque, tels que Cigoli (1559-1613), Passignano (1559-1638), Ciampelli (1556-1630) ou Fontebuoni (1571-1626), pour ne citer que les plus c\u00e9l\u00e8bres<strong><sup>(1)<\/sup><\/strong>. Parmi les artistes toscans, g\u00e9n\u00e9ralement assez fid\u00e8les \u00e0 leur propre tradition figurative, notre tableau se rapproche notablement, tant dans le traitement pictural que dans la physionomie, de deux peintres singuliers : Andrea Commodi (1560-1638) et le plus jeune Baccio Ciarpi. Tr\u00e8s proches l\u2019un de l\u2019autre, ils se montrent tous deux tr\u00e8s attentifs aux nouveaut\u00e9s \u00e9mergentes \u00e0 Rome au d\u00e9but du XVII<sup>e<\/sup> si\u00e8cle. Tandis qu\u2019Andrea Commodi est document\u00e9 dans la Ville \u00c9ternelle d\u00e8s 1592, Baccio Ciarpi s\u2019y est sans doute install\u00e9 \u00e0 la fin du XVI<sup>e<\/sup> si\u00e8cle, apr\u00e8s sa formation aupr\u00e8s de Santi di Tito (1536-1603). Giulio Mancini (1559-1630) le d\u00e9crit comme \u00ab Baccin da Barga, qui jouit aujourd\u2019hui d\u2019une belle r\u00e9putation \u00e0 Rome \u00bb, \u00ab un peintre studieux tenant acad\u00e9mie chez lui, d\u2019une conduite tr\u00e8s chr\u00e9tienne et pieuse \u00bb<strong><sup>(2)<\/sup><\/strong>.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-6 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">La proximit\u00e9 stylistique entre les deux artistes<strong><sup>(3)<\/sup><\/strong> se traduit par l\u2019incertitude critique autour d\u2019\u0153uvres comme <em>Le Miracle de saint Beno\u00eet<\/em> (ill. 1), conserv\u00e9 \u00e0 l\u2019Accademia Etrusca de Cortone, attribu\u00e9 parfois \u00e0 l\u2019un, parfois \u00e0 l\u2019autre, mais r\u00e9cemment donn\u00e9 de mani\u00e8re certaine \u00e0 Ciarpi<strong><sup>(4)<\/sup><\/strong>. Ce lien \u00e9troit entre les deux coll\u00e8gues toscans, attest\u00e9 par le biographe Giulio Mancini, se confirme \u00e0 la fois par des collaborations document\u00e9es et par une caract\u00e9ristique commune : ils furent tous deux, successivement, les ma\u00eetres du grand Pierre de Cortone (1596\u20131669).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"2394\" height=\"1596\" data-attachment-id=\"8864\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/baccio-ciarpi\/ciarpi-1\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1.png\" data-orig-size=\"2394,1596\" data-comments-opened=\"1\" data-image-title=\"Ciarpi 1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1.png\" alt=\"\" class=\"wp-image-8864\" style=\"aspect-ratio:1.5000499750124938;width:422px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1.png 2394w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1-300x200.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1-768x512.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1-1536x1024.png 1536w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1-2048x1365.png 2048w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1-18x12.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-1-1200x800.png 1200w\" sizes=\"auto, (max-width: 2394px) 100vw, 2394px\" \/><figcaption class=\"wp-element-caption\">(ill. 1) Baccio Ciarpi, <em>Le Miracle de saint Beno\u00eet<\/em>, Cortone, Museo dell\u2019Accademia Etrusca, vers 1610 (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-7 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Si le pr\u00e9sent tableau peut \u00eatre dat\u00e9 des ann\u00e9es de grande proximit\u00e9 entre les deux artistes \u2014 c\u2019est-\u00e0-dire entre la premi\u00e8re d\u00e9cennie du XVII<sup>e<\/sup> si\u00e8cle et 1614, date \u00e0 laquelle Commodi quitte Rome et confie l\u2019apprentissage de Pierre de Cortone \u00e0 Ciarpi<strong><sup>(5)<\/sup><\/strong> \u2014 une particularit\u00e9 stylistique permet de l\u2019attribuer avec certitude \u00e0 la main du plus jeune, Baccio Ciarpi. En observant attentivement notre <em>saint Jean-Baptiste<\/em>, on remarque l\u2019usage de coups de pinceau sombres et sch\u00e9matiques, visant \u00e0 renforcer certains d\u00e9tails anatomiques du saint et contrastant grandement avec le naturalisme de l\u2019ensemble. Ce proc\u00e9d\u00e9 est particuli\u00e8rement visible dans le contour du bras droit, dans l\u2019ombre jusqu\u2019\u00e0 l\u2019aisselle, o\u00f9 l\u2019on distingue trois plis tr\u00e8s stylis\u00e9s. On le retrouve au m\u00eame endroit sur l\u2019autre bras, ainsi que, de mani\u00e8re moins accentu\u00e9e, dans les plis dessin\u00e9s sur l\u2019abdomen et dans la zone du coude (ill. 2 et 3).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1210\" height=\"800\" data-attachment-id=\"8866\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/baccio-ciarpi\/ciarpi-5\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5.png\" data-orig-size=\"1210,800\" data-comments-opened=\"1\" data-image-title=\"Ciarpi 5\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5.png\" alt=\"\" class=\"wp-image-8866\" style=\"aspect-ratio:1.512559521209209;width:433px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5.png 1210w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5-300x198.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5-768x508.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5-18x12.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-5-1200x793.png 1200w\" sizes=\"auto, (max-width: 1210px) 100vw, 1210px\" \/><figcaption class=\"wp-element-caption\">(ill. 2 et 3)  Baccio Ciarpi, <em>Saint Jean-Baptiste<\/em>, Paris, Galerie Duponchel (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-8 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Cette caract\u00e9ristique, absente chez Commodi, se retrouve dans le d\u00e9j\u00e0 cit\u00e9 <em>Miracle de saint Beno\u00eet<\/em> (l\u2019une des \u0153uvres les plus anciennes du ma\u00eetre de Barga, aux c\u00f4t\u00e9s de la <em>Mort de saint Beno\u00eet<\/em> \u00e0 Rome) notamment dans les d\u00e9tails ombr\u00e9s de l\u2019oreille du saint vu de dos (ill. 1).<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-9 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Ce proc\u00e9d\u00e9 est encore plus manifeste dans le chef-d\u2019\u0153uvre de Ciarpi, le <em>Bapt\u00eame de Constantin<\/em> de San Silvestro \u00e0 L\u2019Aquila (ill. 4), dont la datation est discut\u00e9e (peut-\u00eatre 1617, assur\u00e9ment dans la deuxi\u00e8me d\u00e9cennie du si\u00e8cle<strong><sup>(6)<\/sup><\/strong>). On y retrouve des coups de pinceau similaires, notamment dans le corps nu de Constantin, o\u00f9 ces touches servent \u00e0 d\u00e9limiter le bras et \u00e0 cr\u00e9er, de mani\u00e8re synth\u00e9tique,\u00a0un pli sous l\u2019aisselle.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1360\" height=\"1752\" data-attachment-id=\"8867\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/baccio-ciarpi\/ciarpi-2\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2.png\" data-orig-size=\"1360,1752\" data-comments-opened=\"1\" data-image-title=\"Ciarpi 2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2.png\" alt=\"\" class=\"wp-image-8867\" style=\"aspect-ratio:0.776260443676174;width:259px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2.png 1360w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2-233x300.png 233w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2-768x989.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2-1192x1536.png 1192w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2-9x12.png 9w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-2-1200x1546.png 1200w\" sizes=\"auto, (max-width: 1360px) 100vw, 1360px\" \/><figcaption class=\"wp-element-caption\">(ill. 4) Baccio Ciarpi, <em>Le Bapt\u00eame de Constantin<\/em>, Cortone, L\u2019Aquila, San Silvestro, vers 1615 (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-10 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Cette mani\u00e8re de souligner certaines parties du corps, particuli\u00e8rement perceptible dans le traitement des carnations, ne semble d\u2019ailleurs jamais avoir \u00e9t\u00e9 totalement abandonn\u00e9e. On la retrouve en effet dans la <em>Vierge \u00e0 l\u2019Enfant avec saints<\/em> de l\u2019\u00e9glise romaine de San Silvestro in Capite, datable d\u2019avant 1622 mais post\u00e9rieure au <em>Bapt\u00eame de Constantin<\/em><strong><sup>(7)<\/sup><\/strong> : des touches sombres accentuent le bras du Baptiste au premier plan, celui du petit ange plac\u00e9 juste au-dessus, ainsi que les plis de l\u2019abdomen de ce dernier (ill. 5 et 6).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"2746\" height=\"1354\" data-attachment-id=\"8868\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/baccio-ciarpi\/ciarpi-3\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3.png\" data-orig-size=\"2746,1354\" data-comments-opened=\"1\" data-image-title=\"Ciarpi 3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3.png\" alt=\"\" class=\"wp-image-8868\" style=\"aspect-ratio:2.0280701754385966;width:481px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3.png 2746w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3-300x148.png 300w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3-768x379.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3-1536x757.png 1536w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3-2048x1010.png 2048w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3-18x9.png 18w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-3-1200x592.png 1200w\" sizes=\"auto, (max-width: 2746px) 100vw, 2746px\" \/><figcaption class=\"wp-element-caption\">(ill. 5 et 6) Baccio Ciarpi, <em>Vierge \u00e0 l\u2019Enfant avec saints<\/em>, Rome, San Silvestro in Capite, avant 1622 (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-11 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Quant \u00e0 la physionomie du visage du saint repr\u00e9sent\u00e9 dans notre tableau, elle semble rappeler tout particuli\u00e8rement celle de la <em>Vierge \u00e0 l\u2019Enfant <\/em>de la SS. Annunziata de Barga (ill. 7), ville natale de l\u2019artiste, une \u0153uvre que l\u2019on peut situer dans la pleine maturit\u00e9 du peintre, p\u00e9riode durant laquelle son activit\u00e9 semble s\u2019\u00eatre concentr\u00e9e entre L\u2019Aquila et la Garfagnana<strong><sup>(8)<\/sup><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized eplus-wrapper\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><img loading=\"lazy\" decoding=\"async\" width=\"1584\" height=\"1668\" data-attachment-id=\"8869\" data-permalink=\"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/baccio-ciarpi\/ciarpi-4\/\" data-orig-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4.png\" data-orig-size=\"1584,1668\" data-comments-opened=\"1\" data-image-title=\"Ciarpi 4\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4.png\" src=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4.png\" alt=\"\" class=\"wp-image-8869\" style=\"aspect-ratio:0.9496462441667921;width:245px;height:auto\" srcset=\"https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4.png 1584w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4-285x300.png 285w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4-768x809.png 768w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4-1459x1536.png 1459w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4-11x12.png 11w, https:\/\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Ciarpi-4-1200x1264.png 1200w\" sizes=\"auto, (max-width: 1584px) 100vw, 1584px\" \/><figcaption class=\"wp-element-caption\">(ill. 7) Baccio Ciarpi, <em>Vierge \u00e0 l\u2019Enfant<\/em>, Barga, SS. Annunziata (d\u00e9tails)<\/figcaption><\/figure>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-12 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">\u00c0 la mort du peintre, en novembre 1654, un inventaire d\u00e9taill\u00e9 des biens pr\u00e9sents dans son appartement romain fut dress\u00e9. Il mentionne un grand nombre de tableaux, dont \u00ab beaucoup avaient assur\u00e9ment \u00e9t\u00e9 peints par lui-m\u00eame \u00bb<strong><sup>(9)<\/sup><\/strong>. Parmi ces \u0153uvres, l\u2019une des toiles d\u00e9crites, pr\u00e9sente \u00ab dans le salon du premier appartement, apr\u00e8s avoir mont\u00e9 deux escaliers \u00bb, semble compatible avec notre \u0153uvre : \u00ab un autre tableau de taille moyenne, avec un cadre noir rehauss\u00e9 d\u2019un filet dor\u00e9, repr\u00e9sentant saint Jean-Baptiste \u00bb<strong><sup>(10)<\/sup><\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-right eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-13 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:0;margin-left:var(--wp--preset--spacing--80);font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.836), 22px);\">Federico Berti<\/p>\n\n\n\n<p class=\"has-text-align-right eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-14 wp-block-paragraph\" style=\"margin-top:5px;margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">(traduit de la notice originale en italien)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7b6cef8a wp-block-columns-is-layout-flex\" style=\"padding-bottom:0\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-bottom:0\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:0;margin-bottom:0\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-15 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(1)<\/sup><\/strong> F. Berti, <em>Passignano nella Roma di Caravaggio<\/em>, Florence, 2023<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-16 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(2)<\/sup><\/strong> F. Sricchia Santoro, \u00ab Baccio Ciarpi da Barga \u2018maestro di Pietro da Cortona\u2019 I \u00bb, dans <em>Prospettiva<\/em>, 1, 1975, p. 35<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-17 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(3)<\/sup><\/strong> \u00ab Commodi [\u2026] avec lequel la premi\u00e8re production artistique de Ciarpi pr\u00e9sente tant de points communs qu\u2019elle soul\u00e8ve des probl\u00e8mes d\u2019attribution \u00bb (S. Prosperi Valenti Rodin\u00f2, \u00ab Ciarpi, Lorenzo Bartolomeo \u00bb, dans <em>Dizionario biografico degli italiani<\/em>, 25, 1981, ad vocem)<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-18 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(4)<\/sup><\/strong> G. Papi, \u00ab La vera paternit\u00e0 della pala ritornata a San Severino dalla Pinacoteca di Brera: nuove riflessioni su Baccio Ciarpi \u00bb, dans <em>Bollettino d\u2019arte<\/em>, 49, 2021, p. 92<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-19 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(5)<\/sup><\/strong> S. Prosperi Valenti Rodin\u00f2, op. cit.<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-20 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(6)<\/sup><\/strong> F. Sricchia Santoro, op. cit., p. 42<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-21 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(7)<\/sup><\/strong> F. Sricchia Santoro, \u00ab Baccio Ciarpi da Barga \u2018maestro di Pietro da Cortona\u2019 II \u00bb, dans <em>Prospettiva<\/em>, 2, 1975, p. 18<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-22 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(8)<\/sup><\/strong> S. Prosperi Valenti Rodin\u00f2, \u00ab Baccio Ciarpi \u00bb, dans <em>Barga Medicea e le \u2018enclaves\u2019 fiorentine della Versilia e della Lunigiana<\/em>, sous la direction de C. Sodini, Florence, 1983<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-23 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(9)<\/sup><\/strong> F. Sricchia Santoro, \u00ab Baccio Ciarpi da Barga \u2018maestro di Pietro da Cortona\u2019 II \u00bb, dans <em>Prospettiva<\/em>, 2, 1975, p. 22<\/p>\n<\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-24 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(10)<\/sup><\/strong> A. Pescatori,<em> <\/em>\u00ab L\u2019inventario della dimora di un pittore del seicento a Roma \u00bb, dans <em>Rivista d\u2019arte<\/em>, vol. XXXIII, 1958 [1960], p. 66<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns8855_1924c2-e8\"><a class=\"kb-button kt-button button kb-btn8855_18ee8a-68 kt-btn-size-small kt-btn-width-type-fixed kb-btn-global-inherit kt-btn-has-text-true kt-btn-has-svg-false wp-block-button__link wp-block-kadence-singlebtn\" href=\"https:\/\/galerieduponchel.com\/contact\/\"><span class=\"kt-btn-inner-text\">Demander un renseignement \/ Prendre rendez-vous<\/span><\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns8855_5a143a-d7\"><a class=\"kb-button kt-button button kb-btn8855_984520-88 kt-btn-size-xlarge kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-false kt-btn-has-svg-true scroll-to-top-button wp-block-kadence-singlebtn\" href=\"#top\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_arrow-up kt-btn-icon-side-right\"><svg viewBox=\"0 0 448 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M34.9 289.5l-22.2-22.2c-9.4-9.4-9.4-24.6 0-33.9L207 39c9.4-9.4 24.6-9.4 33.9 0l194.3 194.3c9.4 9.4 9.4 24.6 0 33.9L413 289.4c-9.5 9.5-25 9.3-34.3-.4L264 168.6V456c0 13.3-10.7 24-24 24h-32c-13.3 0-24-10.7-24-24V168.6L69.2 289.1c-9.3 9.8-24.8 10-34.3.4z\"\/><\/svg><\/span><\/a><\/div>\n\n\n\n<script>\ndocument.addEventListener('DOMContentLoaded', function() {\n    document.querySelector('a[href=\"#top\"]').addEventListener('click', function(e) {\n        e.preventDefault();\n        window.scrollTo({\n            top: 0,\n            behavior: 'smooth'\n        });\n    });\n});\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>&lt; RETOUR &#10094; &#10095; &#8211; + &#10094; &#10095; Lorenzo BARTOLOMEO dit Baccio CIARPI(Barga, 1574 &#8211; Rome, 1654) Saint Jean-Baptiste Avant 1614Huile sur toile65 x 50 cmCadre italien du XVIIe si\u00e8cle (81 x 64,5 cm) Nous remercions le professeur Federico Berti, historien de l\u2019art sp\u00e9cialiste de la peinture toscane, d\u2019avoir r\u00e9dig\u00e9 la pr\u00e9sente notice. La notice [&hellip;]<\/p>\n","protected":false},"author":238326647,"featured_media":0,"parent":6542,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-8855","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pf1lHR-2iP","jetpack-related-posts":[{"id":6542,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/","url_meta":{"origin":8855,"position":0},"title":"Nos oeuvres","author":"Galerie Duponchel","date":"23 July 2025","format":false,"excerpt":"Nos \u0152uvres Toutes nos \u0153uvres Dessins Tableaux Giovanni Francesco CAROTO (1475\u20131555) Saint J\u00e9r\u00f4me p\u00e9nitent Huile sur panneau de peuplier 56,5 \u00d7 50,5 cm Nicol\u00f2 DELL\u2019ABATE (1509\u20131571) Putti jouant au cheval Sanguine 17,1 x 15,6 cm Entourage de Nicol\u00f2 DELL\u2019ABATE (1509\u20131571) Sc\u00e8ne narrative avec plusieurs figures (recto) Figure f\u00e9minine (verso) Plume\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8894,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/domenico-pioloa\/","url_meta":{"origin":8855,"position":1},"title":"Domenico Piola","author":"Galerie Duponchel","date":"9 March 2026","format":false,"excerpt":"< RETOUR \u276e \u276f - + \u276e \u276f Domenico PIOLA(G\u00eanes, 1627-1703) Le Repas \u00e0 Emma\u00fcs Pierre noire, plume et encre brune, lavis brun, gouache blanche18,5 x 24 cmInscrit \u00ab Guercino \u00bbCadre B\u00e9rain d\u2019\u00e9poque Louis XIV - 29 x 34,4\u00a0 cm Notice de l'\u0153uvre Un dessin mouvement\u00e9 pour une sc\u00e8ne prise\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Domenico_Piola_Cena_in_Emmaus_affresco_eseguito_a_monocromo-edited-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Domenico_Piola_Cena_in_Emmaus_affresco_eseguito_a_monocromo-edited-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Domenico_Piola_Cena_in_Emmaus_affresco_eseguito_a_monocromo-edited-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Domenico_Piola_Cena_in_Emmaus_affresco_eseguito_a_monocromo-edited-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Domenico_Piola_Cena_in_Emmaus_affresco_eseguito_a_monocromo-edited-1.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2025\/11\/Domenico_Piola_Cena_in_Emmaus_affresco_eseguito_a_monocromo-edited-1.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/8855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/users\/238326647"}],"replies":[{"embeddable":true,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/comments?post=8855"}],"version-history":[{"count":19,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/8855\/revisions"}],"predecessor-version":[{"id":9400,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/8855\/revisions\/9400"}],"up":[{"embeddable":true,"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/pages\/6542"}],"wp:attachment":[{"href":"https:\/\/galerieduponchel.com\/en\/wp-json\/wp\/v2\/media?parent=8855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}