{"id":9643,"date":"2026-03-09T14:27:17","date_gmt":"2026-03-09T13:27:17","guid":{"rendered":"https:\/\/galerieduponchel.com\/?page_id=9643"},"modified":"2026-05-19T11:24:42","modified_gmt":"2026-05-19T09:24:42","slug":"nicolo-dell-abate","status":"publish","type":"page","link":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/nicolo-dell-abate\/","title":{"rendered":"Nicol\u00f2 dell&rsquo;Abate"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull eplus-wrapper has-foreground-color has-text-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-767b465b wp-block-group-is-layout-constrained\" style=\"background-color:#fefcf8;padding-top:20px;padding-right:var(--wp--preset--spacing--30);padding-bottom:20px;padding-left:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-b2e659ba wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p class=\"retour-link has-small-font-size wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--50)\">\n    <a href=\"https:\/\/galerieduponchel.com\/nos-oeuvres\/\" class=\"retour-link\" data-type=\"page\" data-id=\"124\">&lt; RETOUR<\/a>\n<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div class=\"custom-gallery\">\n  <div class=\"main-image-container\">\n    <img decoding=\"async\" id=\"mainImage\" src=\"\" alt=\"Image principale\">\n    <button class=\"arrow left\" onclick=\"prevImage()\">\u276e<\/button>\n    <button class=\"arrow right\" onclick=\"nextImage()\">\u276f<\/button>\n  <\/div>\n  <div class=\"thumbnails\">\n    <img 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ouverture lightbox\n  const mainImage = document.getElementById('mainImage');\n  mainImage.addEventListener('click', () => {\n    resetZoomAndPosition();\n  });\n})();\n\n\/\/ Variables pour suivre le d\u00e9placement\nlet isDragging = false;\nlet startX, startY;\nlet currentTranslateX = 0;\nlet currentTranslateY = 0;\n\n\/\/ \u00c9l\u00e9ment image zoom\u00e9e\nconst zoomedImg = document.getElementById('lightboxImage');\n\n\/\/ Fonction pour commencer le drag\nzoomedImg.addEventListener('mousedown', (e) => {\n  e.preventDefault();\n  isDragging = true;\n  startX = e.clientX;\n  startY = e.clientY;\n  \/\/ On r\u00e9cup\u00e8re la translation actuelle (ou 0 si pas encore)\n  const style = window.getComputedStyle(zoomedImg);\n  const matrix = new WebKitCSSMatrix(style.transform);\n  currentTranslateX = matrix.m41;\n  currentTranslateY = matrix.m42;\n  \/\/ Changer le curseur pour indiquer le drag\n  zoomedImg.style.cursor = 'grabbing';\n});\n\n\/\/ Fonction pour bouger l\u2019image pendant le drag\nwindow.addEventListener('mousemove', (e) => {\n  if (!isDragging) return;\n  e.preventDefault();\n  const dx = e.clientX - startX;\n  const dy = e.clientY - startY;\n  \/\/ Appliquer la translation\n  zoomedImg.style.transform = `scale(${currentScale}) translate(${currentTranslateX + dx}px, ${currentTranslateY + dy}px)`;\n});\n\n\/\/ Fonction pour arr\u00eater le drag\nwindow.addEventListener('mouseup', (e) => {\n  if (!isDragging) return;\n  isDragging = false;\n  e.preventDefault();\n  \/\/ Met \u00e0 jour la position courante pour la prochaine fois\n  const style = window.getComputedStyle(zoomedImg);\n  const matrix = new WebKitCSSMatrix(style.transform);\n  currentTranslateX = matrix.m41;\n  currentTranslateY = matrix.m42;\n  \/\/ Remet le curseur normal\n  zoomedImg.style.cursor = 'grab';\n});\n\ndocument.addEventListener('DOMContentLoaded', () => {\n  if (window.innerWidth > 768) return; \/\/ On n\u2019applique que sur mobile\n\n  const img = document.getElementById('lightboxImage');\n\n  let scale = 1;\n  let lastScale = 1;\n  let startX = 0;\n  let startY = 0;\n  let translateX = 0;\n  let translateY = 0;\n  let lastTranslateX = 0;\n  let lastTranslateY = 0;\n  let isTouchDragging = false;\n  let initialDistance = null;\n\n  \/\/ Double tap variables\n  let lastTapTime = 0;\n  const doubleTapDelay = 300;\n\n  function clamp(value, min, max) {\n    return Math.min(Math.max(value, min), max);\n  }\n\n  \/\/ Fonction qui applique la transformation et limite la translation selon orientation et taille actuelle\n  function applyTransform() {\n    const maxTranslateX = (img.clientWidth * (scale - 1)) \/ 2;\n    const maxTranslateY = (img.clientHeight * (scale - 1)) \/ 2;\n\n    translateX = clamp(translateX, -maxTranslateX, maxTranslateX);\n    translateY = clamp(translateY, -maxTranslateY, maxTranslateY);\n\n    img.style.transform = `translate(${translateX}px, ${translateY}px) scale(${scale})`;\n  }\n\n  \/\/ Fonction pour r\u00e9initialiser ou recalculer quand orientation change\nfunction onResizeOrOrientationChange() {\n  \/\/ Remet zoom et translation par d\u00e9faut pour \u00e9viter saut brutal\n  scale = 1;\n  translateX = 0;\n  translateY = 0;\n  lastScale = 1;\n  lastTranslateX = 0;\n  lastTranslateY = 0;\n  \n  applyTransform();\n}\n\n  \/\/ \u00c9coute les changements de taille ou orientation\n  window.addEventListener('resize', onResizeOrOrientationChange);\n  window.addEventListener('orientationchange', onResizeOrOrientationChange);\n\n  \/\/ Reset transform au d\u00e9part\n  img.style.transform = 'none';\n\n  \/\/ Touch events inchang\u00e9s\n  img.addEventListener('touchstart', (e) => {\n    if (e.touches.length === 2) {\n      e.preventDefault();\n      const dx = e.touches[0].clientX - e.touches[1].clientX;\n      const dy = e.touches[0].clientY - e.touches[1].clientY;\n      initialDistance = Math.sqrt(dx * dx + dy * dy);\n    } else if (e.touches.length === 1) {\n      const currentTime = Date.now();\n      if (currentTime - lastTapTime < doubleTapDelay) {\n        \/\/ Double tap => reset zoom\n        scale = 1;\n        translateX = 0;\n        translateY = 0;\n        lastTranslateX = 0;\n        lastTranslateY = 0;\n        applyTransform();\n        e.preventDefault();\n      }\n      lastTapTime = currentTime;\n\n      if (scale > 1) {\n        isTouchDragging = true;\n        startX = e.touches[0].clientX - translateX;\n        startY = e.touches[0].clientY - translateY;\n      }\n    }\n  }, { passive: false });\n\n  img.addEventListener('touchmove', (e) => {\nif (e.touches.length === 2 && initialDistance) {\n  e.preventDefault();\n\n  const touch1 = e.touches[0];\n  const touch2 = e.touches[1];\n\n  const dx = touch1.clientX - touch2.clientX;\n  const dy = touch1.clientY - touch2.clientY;\n  const newDistance = Math.sqrt(dx * dx + dy * dy);\n\n  const newScale = Math.min(Math.max(1, (newDistance \/ initialDistance) * lastScale), 5);\n\n  \/\/ Calcul du centre entre les deux doigts (point de focus)\n  const centerX = (touch1.clientX + touch2.clientX) \/ 2;\n  const centerY = (touch1.clientY + touch2.clientY) \/ 2;\n\n  \/\/ D\u00e9calage du point central par rapport au centre de l\u2019image\n  const rect = img.getBoundingClientRect();\n  const offsetX = centerX - rect.left - rect.width \/ 2;\n  const offsetY = centerY - rect.top - rect.height \/ 2;\n\n  \/\/ Calcul du facteur de zoom\n  const scaleFactor = newScale \/ scale;\n\n  \/\/ Ajustement de la translation pour garder le point sous les doigts\n  translateX += offsetX * (1 - scaleFactor);\n  translateY += offsetY * (1 - scaleFactor);\n\n  scale = newScale;\n\n  applyTransform();\n}\nelse if (e.touches.length === 1 && isTouchDragging) {\n      e.preventDefault();\n      translateX = e.touches[0].clientX - startX;\n      translateY = e.touches[0].clientY - startY;\n      applyTransform();\n    }\n  }, { passive: false });\n\n  img.addEventListener('touchend', (e) => {\n    if (e.touches.length < 2) {\n      lastScale = scale;\n      lastTranslateX = translateX;\n      lastTranslateY = translateY;\n      initialDistance = null;\n      isTouchDragging = false;\n    }\n  });\n});\n\n<\/script>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left text-center-mobile\"><strong>Nicol\u00f2 DELL'ABATE<\/strong><br>(Mod\u00e8ne, 1509 - Fontainebleau, 1571)<br><span id=\"docs-internal-guid-cb044222-7fff-ad48-71dc-7b05f294c789\"><div><span style=\"font-size: 14pt; font-family: &quot;Open Sans&quot;, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 700; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-variant-position: normal; vertical-align: baseline;\"><\/span><\/div><\/span><\/h2>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading text-center-mobile\" style=\"margin-right:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--40)\"><em><em><em>Putti jouant au cheval<\/em><\/em><\/em><br><\/h4>\n\n\n\n<p class=\"text-center-mobile has-primary-color has-text-color has-small-font-size wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);line-height:1.6\">Vers 1560-1565<br>Sanguine<br>17,1 x 15,6 cm<br>Cadre \u00e0 B\u00e9rain d'\u00e9poque Louis XIV<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Num\u00e9rot\u00e9 \u00e0 la plume en bas \u00e0 droite (trois chiffres partiellement effac\u00e9s et illisibles, \u00ab 900 \u00bb ?)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inscrit au verso : \u00ab Messere nicolo <s>ou Rafael<\/s> del Abbate \u00bb et \u00ab primaticcio \u00bb (coup\u00e9 en bas \u00e0 droite)<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns9643_819f6d-1e\"><a class=\"kb-button kt-button button kb-btn9643_7f7237-8a kt-btn-size-small kt-btn-width-type-fixed wp-block-button__link kb-btn-global-inherit kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn kb-preset--theme-base\" href=\"https:\/\/galerieduponchel.com\/contact\/\"><span class=\"kt-btn-inner-text\">Demander un renseignement \/ Prendre rendez-vous<\/span><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\">Nous remercions Giulia Brusori d\u2019avoir r\u00e9dig\u00e9 la pr\u00e9sente notice. Sp\u00e9cialiste de Nicol\u00f2 dell\u2019Abate, cette historienne de l\u2019art a notamment publi\u00e9 plusieurs travaux sur les dessins de l'artiste.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns eplus-wrapper is-layout-flex wp-container-core-columns-is-layout-b2e659ba wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity eplus-wrapper\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column eplus-wrapper is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-content-justification-center is-layout-constrained wp-container-core-group-is-layout-93ca6edf wp-block-group-is-layout-constrained\" style=\"padding-right:0;padding-left:0\">\n<div class=\"wp-block-group eplus-wrapper has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading has-text-align-center eplus-wrapper\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--50)\"><strong>Notice de l'\u0153uvre par Giulia Brusori<\/strong><\/h3>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--50);margin-bottom:var(--wp--preset--spacing--20)\"><strong>Provenance :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antoine-Joseph Dezallier d'Argenville (Paris, 1680-1765), son paraphe en bas \u00e0 droite (L. 2951)<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:0;margin-bottom:var(--wp--preset--spacing--40);margin-left:0\">Le dessin provient de la collection d\u2019Antoine-Joseph Dezallier d\u2019Argenville, dont il pr\u00e9sente le paraphe en bas \u00e0 droite du recto (L. 2951) et un num\u00e9ro \u00e0 trois chiffres difficilement lisible (900 ?). Le num\u00e9ro, bien que difficile \u00e0 d\u00e9chiffrer, semble appartenir \u00e0 la s\u00e9rie des 900, en coh\u00e9rence avec la num\u00e9rotation de Dezallier d\u2019Argenville : les dessins de Nicol\u00f2 dell\u2019Abate de sa collection sont num\u00e9rot\u00e9s de 901 \u00e0 905, entre Lelio Orsi (n\u00b0 898) et Pellegrino Tibaldi (n\u00b0 906 \u00e0 911). Le num\u00e9ro de la pr\u00e9sente feuille ne peut donc correspondre qu\u2019\u00e0 l\u2019un des num\u00e9ros manquants de cet intervalle (899, 900, 902 ou 903)<strong><sup>(1)<\/sup><\/strong>. Fid\u00e8le \u00e0 son classement chronologique et par grandes \u00e9coles, Dezallier d\u2019Argenville annotait fr\u00e9quemment ses dessins, comme ici avec la mention \u00ab messere Nicolo \u00bb, identique \u00e0 celle figurant sur le dessin n\u00b0 904 conserv\u00e9 au mus\u00e9e du Louvre (inv. 5895).<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\">La feuille, \u00e0 la sanguine, repr\u00e9sente cinq enfants. Les trois premiers, au premier plan au centre de la composition, sont en train de jouer : un chevauche l\u2019autre en le fouettant avec quelque chose qui ressemble \u00e0 un faisceau d\u2019\u00e9pis pendant que le troisi\u00e8me le tient par une bride. Les deux autres, \u00e0 gauche de la feuille, sont en train de converser, tandis que l\u2019un des deux tend ses bras vers la sc\u00e8ne principale.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-5 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Nicol\u00f2 dell\u2019Abate, arriv\u00e9 en France \u00e0 la cour d\u2019Henri II au milieu de l\u2019ann\u00e9e 1552, a \u00e9t\u00e9 un grand sp\u00e9cialiste de la repr\u00e9sentation de l\u2019enfance pendant toute sa carri\u00e8re artistique, aussi bien en Italie qu\u2019en France. Il suffit de penser, par exemple, aux <em>putti<\/em> qu\u2019il a dessin\u00e9s et peints au d\u00e9but de sa carri\u00e8re fran\u00e7aise, pour la chapelle du Ch\u00e2teau de Fleury-en-Bi\u00e8re (Louvre, inv. 5843, 5892) et pour la galerie de l\u2019H\u00f4tel de Montmorency (Louvre, inv. RF 570), ainsi que dans le chantier de la salle de bal \u00e0 Fontainebleau, o\u00f9 l\u2019artiste de Mod\u00e8ne, en plus de reproduire les dessins de Primaticcio sur les arcades, fut charg\u00e9 de dessiner les <em>putti <\/em>au sommet des arcs (Louvre, inv. 5889, inv. 8804)<strong><sup>(2)<\/sup><\/strong>.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-6 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Toutefois, dans ce dessin, le rendu des figures, muscl\u00e9es et massives, tr\u00e8s influenc\u00e9 par la mani\u00e8re de Salviati et Michelangelo, dont les dessins \u00e9taient pass\u00e9s par Fontainebleau<strong><sup>(3)<\/sup><\/strong>, est plus proche du style exprim\u00e9 par l\u2019artiste \u00e0 partir des ann\u00e9es soixante du seizi\u00e8me si\u00e8cle, comme on peut voir dans le groupe des trois <em>putti<\/em> en bas du dessin repr\u00e9sentant <em>Saint Augustin et Sainte Genevi\u00e8ve <\/em>(Windsor, RCIN 990146) et pr\u00e9paratoire pour un tableau d\u2019autel pour c\u00e9l\u00e9brer la mort du roi Fran\u00e7ois II<strong><sup>(4)<\/sup><\/strong>. La sixi\u00e8me d\u00e9cennie du seizi\u00e8me si\u00e8cle annonce le d\u00e9but de la crise politique et dynastique du royaume de France : la mort du roi Henri II, d\u00e9c\u00e9d\u00e9 accidentellement \u00e0 cause d\u2019une blessure subie pendant un tournoi aux Tournelles en juillet 1559, marque l\u2019\u00e9clatement des tensions religieuses dans des conflits dramatiques et sanglants, qui se poursuivent jusqu\u2019au d\u00e9but du si\u00e8cle suivant. \u00c0 cause de l\u2019incapacit\u00e9 \u00e0 gouverner des h\u00e9ritiers l\u00e9gitimes au tr\u00f4ne, Catherine de M\u00e9dicis garde les r\u00eanes du royaume jusqu\u2019\u00e0 la fin de sa vie en 1589. La reine, femme, \u00e9trang\u00e8re et de naissance bourgeoise, devait construire une imagerie artistique pour l\u00e9gitimer son autorit\u00e9 \u00e0 gouverner, centr\u00e9e sur les th\u00e9matiques du paysage et de la pastorale, \u00e9voquant l\u2019id\u00e9e de fertilit\u00e9 et de paix, vertus f\u00e9minines par excellence. Dans cette p\u00e9riode, m\u00eame les nobles de la cour suivaient cette nouvelle mode iconographique, comme le d\u00e9montre Jacques du Faur, membre du conseil priv\u00e9 du roi Charles IX, qui demanda \u00e0 Nicol\u00f2 dell\u2019Abate de peindre les parois du cryptoportique de son h\u00f4tel parisien avec des th\u00e9matiques li\u00e9es \u00e0 la pastorale<strong><sup>(5)<\/sup><\/strong>.<\/p>\n\n\n\n<p class=\"eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-7 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">Ainsi, l\u2019iconographie de la feuille s\u2019inscrit parfaitement dans ce moment stylistique et culturel. M\u00eame s\u2019il est difficile de rapprocher le dessin d\u2019une \u0153uvre sp\u00e9cifique, en partie \u00e0 cause de son ex\u00e9cution rapide, proche d\u2019une esquisse, on peut le relier au travail de l\u2019artiste pour les nombreuses commandes de la reine, comme les f\u00eates pour le carnaval tenues au ch\u00e2teau de Fontainebleau au d\u00e9but de 1564, pour lesquels Pierre de Ronsard a \u00e9crit ses <em>Bergeries<\/em><strong><sup>(5)<\/sup><\/strong>. Ce dessin est, par ailleurs, particuli\u00e8rement remarquable car il constitue un des tr\u00e8s rares exemples de sanguine de la derni\u00e8re d\u00e9cennie d\u2019activit\u00e9 de Nicol\u00f2 dell\u2019Abate, dont il reste surtout des \u0153uvres ex\u00e9cut\u00e9es \u00e0 la plume<strong><sup>(7)<\/sup><\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-right eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-8 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--80);margin-bottom:0;margin-left:var(--wp--preset--spacing--80);font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.836), 22px);\">Giulia Brusori<\/p>\n\n\n\n<p class=\"has-text-align-right eplus-wrapper has-primary-color has-text-color has-link-color wp-elements-9 wp-block-paragraph\" style=\"margin-top:5px;margin-right:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--80)\">(traduit de la notice originale en italien)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7b6cef8a wp-block-columns-is-layout-flex\" style=\"padding-bottom:0\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-bottom:0\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:0;margin-bottom:0\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-10 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(1)<\/sup><\/strong> &nbsp;J. Labb\u00e9, L. Bicart-S\u00e9e, <em>La collection de dessins d\u2019Antoine-Joseph Dezallier d\u2019Argenville reconstitu\u00e9e d\u2019apr\u00e8s son \u00ab Abr\u00e9g\u00e9 de la vie des plus fameux peintres \u00bb<\/em>, <em>\u00e9dition de 1762<\/em>, Louvre, D\u00e9partement des arts graphiques, Paris, 1996, p. 175-176<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-11 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(2)<\/sup><\/strong> G. Brusori, <em>Nicol\u00f2 dell\u2019Abate in Francia: disegni e progetti decorativi. Proposta per un catalogo, <\/em>th\u00e8se en cotutelle entre ALMA MATER STUDIORUM \u2013 Universit\u00e0 di Bologna et l\u2019\u00c9cole Pratique des Hautes \u00c9tudes (PSL), 2022, cat. 25, p. 310-314<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-12 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(3)<\/sup><\/strong> G. Brusori, <em>Per una revisione della cronologia dei disegni francesi di Nicol\u00f2 dell\u2019Abate: \u00ab L\u2019Amore sulla mezzaluna \u00bb della Biblioteca Ambrosiana e il \u00ab Bacco \u00bb del Louvre<\/em>, dans \u00abINTRECCI d\u2019arte\u00bb, n\u00b0 9\/2020, p. 37, note 10<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-13 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(4)<\/sup><\/strong> G. Brusori, <em>Nicol\u00f2 dell\u2019Abate in Francia: disegni e progetti decorativi<\/em> cit., cat. n\u00b0 46a<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-14 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(5)<\/sup><\/strong> G. Brusori, <em>Nicol\u00f2 dell\u2019Abate: paesaggi per Caterina de\u2019 Medici<\/em>, dans \u00ab Horti Hesperidum \u00bb, 1, p. 209-232<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-15 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(6)<\/sup><\/strong> G. Brusori, <em>Nicol\u00f2 dell\u2019Abate in Francia: disegni e progetti decorativi<\/em> cit., p. 157-184<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color wp-elements-16 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"><strong><sup>(7)<\/sup><\/strong> G. Brusori, <em>Nicol\u00f2 dell\u2019Abate in Francia: disegni e progetti decorativi<\/em> cit., p. 207-234<\/p>\n<\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns9643_697559-d5\"><a class=\"kb-button kt-button button kb-btn9643_23017e-92 kt-btn-size-small kt-btn-width-type-fixed wp-block-button__link kb-btn-global-inherit kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn kb-preset--theme-base\" href=\"https:\/\/galerieduponchel.com\/contact\/\"><span class=\"kt-btn-inner-text\">Demander un renseignement \/ Prendre rendez-vous<\/span><\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns9643_a0cdec-f5\"><a class=\"kb-button kt-button button kb-btn9643_7992b0-a9 kt-btn-size-xlarge kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-false kt-btn-has-svg-true scroll-to-top-button wp-block-kadence-singlebtn\" href=\"#top\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_arrow-up kt-btn-icon-side-right\"><svg viewBox=\"0 0 448 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M34.9 289.5l-22.2-22.2c-9.4-9.4-9.4-24.6 0-33.9L207 39c9.4-9.4 24.6-9.4 33.9 0l194.3 194.3c9.4 9.4 9.4 24.6 0 33.9L413 289.4c-9.5 9.5-25 9.3-34.3-.4L264 168.6V456c0 13.3-10.7 24-24 24h-32c-13.3 0-24-10.7-24-24V168.6L69.2 289.1c-9.3 9.8-24.8 10-34.3.4z\"\/><\/svg><\/span><\/a><\/div>\n\n\n\n<script>\ndocument.addEventListener('DOMContentLoaded', function() {\n    document.querySelector('a[href=\"#top\"]').addEventListener('click', function(e) {\n        e.preventDefault();\n        window.scrollTo({\n            top: 0,\n            behavior: 'smooth'\n        });\n    });\n});\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>&lt; RETOUR \u276e \u276f &#8211; + \u276e \u276f Nicol\u00f2 DELL&rsquo;ABATE(Mod\u00e8ne, 1509 &#8211; Fontainebleau, 1571) Putti jouant au cheval Vers 1560-1565Sanguine17,1 x 15,6 cmCadre \u00e0 B\u00e9rain d&rsquo;\u00e9poque Louis XIV Num\u00e9rot\u00e9 \u00e0 la plume en bas \u00e0 droite (trois chiffres partiellement effac\u00e9s et illisibles, \u00ab 900 \u00bb ?) Inscrit au verso : \u00ab Messere nicolo ou Rafael [&hellip;]<\/p>\n","protected":false},"author":238326647,"featured_media":0,"parent":6542,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"footnotes":""},"class_list":["post-9643","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pf1lHR-2vx","jetpack-related-posts":[{"id":6542,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/","url_meta":{"origin":9643,"position":0},"title":"Nos oeuvres","author":"Galerie Duponchel","date":"23 July 2025","format":false,"excerpt":"Nos \u0152uvres Toutes nos \u0153uvres Dessins Tableaux Giovanni Francesco CAROTO (1475\u20131555) Saint J\u00e9r\u00f4me p\u00e9nitent Huile sur panneau de peuplier 56,5 \u00d7 50,5 cm Nicol\u00f2 DELL\u2019ABATE (1509\u20131571) Putti jouant au cheval Sanguine 17,1 x 15,6 cm Entourage de Nicol\u00f2 DELL\u2019ABATE (1509\u20131571) Sc\u00e8ne narrative avec plusieurs figures (recto) Figure f\u00e9minine (verso) Plume\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9427,"url":"https:\/\/galerieduponchel.com\/en\/nos-oeuvres\/fontainebleau\/","url_meta":{"origin":9643,"position":1},"title":"fontainebleau","author":"Galerie Duponchel","date":"9 March 2026","format":false,"excerpt":"< RETOUR \u276e \u276f - + \u276e \u276f Entourage de Nicol\u00f2 DELL'ABATE(Mod\u00e8ne, 1509 - Fontainebleau, 1571) Recto : Sc\u00e8ne narrative avec plusieurs figuresVerso : Figure f\u00e9minine 20 x 31,5 cm Recto : Plume et encre brune, lavis brun sur traits de crayon noir Verso : Plume et encre brune Filigrane\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2026\/01\/Ruggiero-edited.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2026\/01\/Ruggiero-edited.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/galerieduponchel.com\/wp-content\/uploads\/2026\/01\/Ruggiero-edited.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4744,"url":"https:\/\/galerieduponchel.com\/en\/caron\/","url_meta":{"origin":9643,"position":2},"title":"Caron","author":"Galerie Duponchel","date":"28 April 2025","format":false,"excerpt":"< RETOUR \u276e \u276f - 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